Ten easy steps show you how to make money from drugs, featuring a series of interviews with drug dealers, prison employees, and lobbyists arguing for tougher drug laws.

Disowned at birth by his obscenely wealthy family, blue-collar Becket Redfellow will stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way.

Live performances of classic holiday-themed episodes from Norman Lear's hit shows "All in the Family" and "Good Times."

Larryboy and fellow superhero, Dark Crow, scramble to learn a lesson in sharing. But it doesn’t come over-easy when they discover Greta Von Gruesome and Awful Alvin are the terrible team of trouble that has struck Bumblyburg with their new invention: the Over-Easy-Egg ray. Everything turns into a hard-boiled mess as this deceptive duo zaps everything in sight. Larryboy has to learn that sharing means working together as he and Dark Crow team up to share the responsibilities of fighting this crime. Will he learn this lesson before he and Dark Crow become the world’s biggest superhero omelet? See what happens in this exciting Larryboy adventure.

Morgan Leafy is a secretary to the British High Commissioner to an Africa nation. Leafy is a man that makes himself useful to his boss, the snobbish Arthur Fanshawe, who has no clue about what's going on around him, but who wants to use his secretary to carry on his dirty work, which involves getting one of the most powerful men in the country to do business with his country.The young secretary has an eye for beautiful women around him, especially Hazel, a native beauty, with whom he is having an affair. Things get complicated because Sam Adekunle, a man running for president of the country, wants a favor from Leafy in return after he has accepted the invitation to visit London. The proposition involves swaying a prominent doctor's opposition to a plan that will make Adenkule filthy rich.

Business turns bad for Ginjiro’s client Matsuno. Self-proclaimed behavioral economist Keiko appears, and the businesses she advises boom. She’s a hit!

Arthur, 15, has a crush on Ouassima, who does not even look at him... While he has never been upset, she goes out with Matt, the handsome kid from college. To get closer to her, Arthur gathers a group of single losers and offers to give them lessons in fishing, at 10 euros per lesson. In the changing rooms of the swimming pool, a long intimate and collective learning begins on "girls and love: instructions for use".

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

A black comedy revolving around the humiliating lengths that people will resort to in order to get by in an unstable financial world from applying for welfare to the compromise of personal ideals to all out robbery. The film follows four characters - two leftover punks from the 80s, a typical gray-suited businessman and a vegetarian idealist - in their desperate struggle to hold onto their respective stations in life. These deftly interwoven stories form a cautionary tale of how people deal with the search for quick cash. In desperate times, even good people turn to bad money.